Tag Archives: video production

Six Incredibly Useful Royalty Free Music Tracks for Creating Film Soundtracks

Every filmmaker knows that their soundtrack can make or break their entire film. For video production professionals in particular, the quality of the music being used can either lead to dissatisfied clients or to life long customers. Finding the right music for the right moment can be a tricky process. Luckily, royalty free music libraries like Productiontrax can make the search for the right track easy, providing music that covers a wide range of genres and emotional quality, even from the same piece of music. Here are six incredibly versatile pieces of royalty free music that will change the way you use stock music.

1. Sweet, Sweet Success. From motivational corporate videos, to tech advertising, to children’s projects, this piece by Don Swanson could become your next go-to music track whenever you need something light and positive. Evoking feelings of hope and joy, the track gently evolves into a series of sparkling and beautiful sounds, interweaved with a full string ensemble.

2. Dub Step of Terror. This track by Robert Neary escalates and intensifies, gradually building and incorporating elements of traditional dub step with sounds of horror, adventure, and modern drama. Perfect for a wide range of uses from horror to superhero trailers to science fiction to commercials.

3. Pirates – Action Adventure. Whether you need something dramatic for a vacuum cleaner commercial, or you’re actually sailing the high seas, Igge Scoce’s royalty free action adventure music track will help to create the soundscape that sounds like it was created by a film score orchestra, all without the budgetary drain. Also great for video games, and cinematic sequences.

4. Adventurous Beautiful Majesty. From Christian Andersson of Craze Music comes this lush stock music track that is perfect for heroic epiphanies, fantasy titles, video games, documentaries, travel, nature, science, and gentle, lush underscoring.

5. Clocks. Serene, reflective, yet with constant motion, this piece by Adi Goldstein captures the essence of passing time, internal reflection, sadness, and can be used for montages, television dramas, opening titles, and much more.

6. Rays of Happiness. Quiet piano and strings works for anything. We don’t know why — it just does. This production music track by Filip Halon is perfect as a romantic love song, or as the backdrop to a peaceful scene. We think it works great for PSAs and other narrated commercial spots where a little human authenticity is called for.

Productiontrax.com Celebrates 25,000 Stock Footage Clips With New Content by Monkeybusiness Footage

NEW YORK – Productiontrax.com (http://www.productiontrax.com) today announced the addition of nearly 2000 new stock footage clips into its growing library of high-quality royalty free video files in partnership with Monkey Business Images, bringing Productiontrax.com’s total offering to over 25,000 royalty free stock footage clips.

“Monkeybusiness has been a key contributor of stock footage, helping our library grow with quality footage,” Productiontrax.com founder and CEO David Negron said. “This new batch of royalty free video clips represents a significant update of their offerings on Productiontrax, and really refreshes the video content available on PT as a whole. It’s our hope that our customers find this fresh content unique, and super useful.”

The new stock footage is available for download in HD format, and covers a wide range of topics from holidays and families to cities and the corporate workplace. The stock footage is especially useful for quickly creating video for content-dependent marketing and online communications, and can be used royalty-free in any multimedia project, including broadcast, video games, television, YouTube videos, presentations, and more.

Productiontrax (http://www.productiontrax.com), a leader in online distribution and licensing of royalty free music and sound effects, enables customers to license superior-quality royalty free music, sound effects, stock photos and stock video footage for use in film, television, and interactive media on an on-demand basis. As an innovator in online stock media, Productiontrax.com was the first site to allow creators of royalty free production music, sound effects, stock images and video to take an active role in licensing their work to the public. Productiontrax.com is dedicated to providing its customers with high-quality, yet affordable resources for multimedia productions. The footage and images are 100% original, with new composers, new tracks and new images added everyday. Productiontrax.com is headquartered in New York City, and is a subsidiary of One Light Music Productions, Inc.

Monkey Business Images is a leading producer and licensor of stock footage and stock photography, headquartered in the United Kingdom.

Production Music and Content ID: The Good, The Bad, The Ugly

With production music venturing more and more into the online space, content ID and musical fingerprinting programs are becoming evermore necessary, evermore prevalent and evermore obtrusive. Fingerprinting and content recognition is vital for combating piracy, but at the same time creates headaches in a crowded and quickly-changing creative field of royalty free music production.

audio fingerprinting
The Good
Content Identification is great for maintaining order in an industry that sees more piracy every day. With the increasing availability of high-end but low-cost audio software, more and more people are expressing their creativity with music more than ever. While accessibility drives innovation in the arts, technological progress oftentimes comes at the expense of time-honored copyright laws. For content owners and the artists who create, content ID programs offer a way to monitor and be properly compensated for your work. Content Identification systems can recognize your music in a video, on a website, or in an app, thereby giving you the opportunity to exercise your right as first exploitation. No matter your distribution and compensation strategy, all artists benefit from knowing who is using their music, and where their music is playing.

The Bad
On Youtube especially, Content ID is soulless. The systems in place do not recognize people, and cannot infer circumstances, nor does the system attempt to try. Some may argue that this is by design — an attempt to leave authoritative control in the hands of the copyright owner. However, without fully grasping common licensing practices, especially in the stock media and production music industries, these content scans are an all-powerful guilty-until-proven-innocent judge and jury. Customers of stock music sites often find themselves harrassed by the YouTube Content ID system for using music that they have properly licensed, oftentimes with threats of closing down the user’s channel. So much for doing things the right way, and ignoring pleas from the licensor, no matter how much authority was granted to them by the original copyright holder, requiring full licenses from the original owner in order to fully satisfy its documentation needs.

Additionally, content identification systems don’t have real ears. While fingerprinting and sonic imaging have come a long way in recent years, true content matching can only be done by a human being — especially when it comes to production music. Think about it: every composer out there is using the same sample libraries as the next guy. OF COURSE THEY ALL MATCH SOMETHING ELSE, it’s because the instruments are identical. Only a human can make the distinction between a fair use of a lick or sample kit, a common harmonic progression, or a loop pack.

youtube content idThe Ugly
The YouTube Content ID system contractually requires the content owners who provide the data to be exclusive rights holders. Yes, exclusive. Read the terms. All of those Ad Rev and Ad Share companies out there? Yeah, they’re all claiming that they own your (the composer) work. Worse, they’re collecting ad revenue on your behalf and chances are, unless you’ve signed a contract with these companies, you’re not seeing a dime. We know of a bunch of music libraries who made deals to provide huge databases of music tracks to these companies without telling you, and without paying you. What winds up happening because of this, in addition to someone else making money off of your hard work who is not you, is that tracks are getting improperly attributed. Confusion abounds as to who really owns what — and usually, to satisfy the DMCA, service providers are forced by the law to turn a blind eye. Some protection.

How Productiontrax Uses Content ID
Productiontrax.com does not submit song data to Content ID programs. We do, however, scan our library against the content identification databases to identify songs, and we match this data to the data provided by our users. Why? We do this for two reasons:

1) To make sure that our clients are properly licensed when they purchase music on Productiontrax.com. Scanning, fingerprinting, and identifying songs uploaded help us to keep the promises we make in the end user license, representing and warranting that we have properly and adequately obtained rights to license all of the work posted to our site. This protects our customers, protects us, and helps protect you.

2) To protect composers. Through content identification, we can spot fraud, illegal uses, and stolen music — not from us, but from you. We can also spot errors in the content identification database, where your music is being attributed to another musician, composer, or fraudster, when in fact, it belongs to you.

Ultimately, Content ID, when used and maintained properly is an excellent tool, and should be used by copyright owners. But for your sake, do it without the middleman.

Great Expectations – Wintery Royalty Free Production Music

Winter might be on the thaw, but you can instill that icy chill into any multimedia project with this week’s royalty free production music pick of the week, Great Expectations. With choirs, bells, and orchestral strings, this track has a layer of intrigue and motivation that combines with sounds traditionally heard during the cold winter months to create a character all of its own.

It sort of reminds us of a Harry Potter sequence — a dark sinister stroll through enchanted woods, or in the deep recesses of a medieval castle. A suitable theme for an evil villain, sorcerer, or fantasy role playing game, this piece has moments of huge muiscal epic-ness and quiet contemplation (or brooding). But don’t let that pidgeon hole you to the fantasy genre. Ad campaigns for companies ranging from security systems to banks and insurance companies could find creative use for these tracks. We feel a sports car commercial would probably make great use of this production music track.

For our pick of the week video, we paired this short piece with stock footage of nighttime snow and fog filmed from a moving car in an eerily empty parking lot. Notice how the creepy feel transfers over to the second stock footage clip, establishing a winter scene haunted farm, demonstrating the music’s versatility.

Get the stock music: http://www.productiontrax.com/royalty-free-music/341353
Get the driving stock footage: http://www.productiontrax.com/stock-footage/304231
Get the winter farm footage: http://www.productiontrax.com/stock-footage/304737