A lot of production music composers focus their energy on creating royalty free music for just a few specific categories. Typically, composers will say, “I’m a film music composer,” and subsequently post music to the film music category. Or they might be really familiar with corporate videos, and therefore only classify their music as corporate. These categories are not only well known, but also have a lot of competition as a result. This practice leads many composers to overlook production of music for different genres, which are equally as necessary for the licensing needs of many a multimedia project.
Stumped on what style to write in? Here this series explores genres that are extremely useful for customers of royalty free music, but tend to go neglected over the course of a composer’s production schedule.
This sub genre of classical music is often overlooked, usually because of its complexity, and the resources needed for production. Opera requires orchestral composition and recording, which, ironically enough, is the easy part, given the higher quality and lower cost of orchestral samples for digital workstations. The difficult part? Finding a good live singer to float over the orchestra.
Opera tracks are exceptionally useful in places you normally wouldn’t expect. Car commercials, fragrance commercials, even cleaning supply commercials. Opera tracks can add an element of sophistication, mysteriousness, even comedy, depending on how the track is used. And yet, this category is strikingly relatively empty.
If you’re a composer, you have a few strategies for approaching production. Public domain operas are an excellent choice (not to mention one of two legal approaches). Be sure the composer is long gone, and that the lyricist is, as well. Note that some more recent operas by Vivaldi are not in the public domain, not because of Vivaldi, but because the lyrics belong to the estate of the lyricist. So do your homework before selecting one to produce to make into usable royalty free music. That said, however, the scores to most operas are easily accessible, so with the right samples, and a good strategic approach, you can create realistic, and by-the-book production music opera tracks. Dig in to an old public domain opera like Mozart. Select a couple of popular or not so popular movements, and team up with a great singer.
You can also write something original — no need to write a full opera, just something that has the same sound and feel. Keep the music sounding classical to impressionist, lush and stringy. Pick a language, any language, and write some lyrics. They don’t even need to make sense, especially if your singer has some great technique and vibrato. The point is that making a statement isn’t necessary here, simply creating the sound and feel of an opera is all that a commercial production needs. Have fun, and treat it like any other production project. It’s just another song, in a slightly different style.